Music Performance Anxiety in Musical Theater Performers: A Pilot Study.

OBJECTIVES: Performance anxiety (PA) is debilitating and impacts the sufferer's ability to perform. Forgetfulness, concentration loss, and physical symptoms develop, leading to some giving up performing.
Methods: An online questionnaire was used to gather data, including demographic questions and the Kenny Music Performance Anxiety Inventory (K-MPAI). The questionnaire was distributed via social media and the British Association for Performing Arts Medicine (BAPAM) database. Data was collected over a 2-month period and was analyzed using simple proportions with a score of ≥ 104 on the K-MPAI indicating the presence of PA and ≥ 130 indicating notable levels of PA.
Results: Thirty-three participants completed the questionnaire (57.6% female). When looking at the ages of participants (18 to 80), the most common age range was 31 to 35 (33%). Two-thirds of participants were deemed to suffer from PA after completing the K-MPAI. A large proportion of participants with PA (63.6%) scored above the threshold score of 130 indicating "significant performance anxiety." Females or currently unemployed performers showed higher levels of PA than other subgroups. However, a chi-squared test showed no significance between sexes (p = 0.32) or employment status (p = 0.31) and the incidence of PA.
Conclusion: The research showed that PA is a significant issue in musical theater, as it is with other musicians who have been studied extensively. We conclude that more research is needed to look at appropriate treatments specifically for musical theater performers.

Epidemiology of Injuries in West End Performers.

Epidemiological studies in the performing arts are scarce, and only one such study in the last 20 years directly examined West End productions. Therefore, the aim of this study was to analyze the epidemiology of injuries sustained by West End performers over a 12-month period (2016 to 2017). Injury data were self-reported retrospectively by West End performers using an online injury surveillance questionnaire. The information collected covered participant characteristics, injury location, diagnosis, severity, mechanism of injury, and external risk factors. Simple proportions were calculated for injury location and type. Categorical data were assessed using chi-squared (p = 0.05) and magnitude-based inferences described between-group differences. Forty-seven performers responded (26 male, 21 female), with 65% suffering at least one injury in the previous year. The lower limb accounted for 50% of injuries, and muscle strains were the diagnosis in 37% of cases. Males sustained 53% of all injuries, but no differences were found between sexes in locations injured (χ² = 2.296, p = 0.513). Seventy-two percent of injuries were said to have occurred during performance, with one-third of the total injuries having a gradual onset. Little or no time was lost in the majority of cases.